At a time when Pop Art continued to prevail and Conceptualism was on the rise in the 1970s, Tony Scherman chose to pursue image and figuration, working exclusively in the uncommon wax and pigment encaustic technique. His paintings and works on paper weave through the history of art and embrace image-imprints through the modern technologies of camerawork and film. Over the past 30 years, portraiture has become a primary subject matter that are his contemporary meditations encompassing villains and celebrities, bombshells and intellectuals.

Born in Toronto in 1950, Scherman spent his childhood and young adult life in Paris, Europe and then London from 1955. His father Paul was professionally active as a conductor and violinist in Canada, Europe and England. In 1974, Scherman received an MA from the Royal College of Art in London, and returned to Toronto in 1976. He has had more than 100 solo exhibitions across Canada, in the United States and Europe, and in Beijing and Hong Kong. His solo exhibition Chasing Napoleon circulated to six American university museums in 2001-2002. The concurrent book was published by Cameron & Hollis, UK in 1999 (distributed by D.A.P. in North America and Thames and Hudson, world-wide). Scherman has been included in numerous group exhibitions internationally. Among the earliest was The Human Clay, curated by artist R.B. Kitaj for the Hayward Gallery, London, in 1976. Kitaj’s selections included works by Frank Auerbach, Francis Bacon, Lucian Freud and Leon Kossoff. This landmark exhibition toured public galleries in the UK and Belgium. In 2012, his painting Macbeth Witch #1 was selected to represent 1994 for the exhibition Spotlight on 40, Ottawa, to mark the 40th anniversary of the Canada Council Art Bank. Poseidon, 2007—and a rare self-portrait as stand-in for the Greek god Poseidon for his series “The Odyssey II”—is featured on the cover of The Aesthetics of Emotion: Up the Down Staircase of the Mind-Body (Dr. Gerald C. Cupchik, Cambridge University Press, 2016). The book includes a chapter-interview with Scherman.

Scherman’s work is represented in 30 public collections across Canada and internationally in the Los Angeles County Museum, The Museum of Contemporary Art, La Jolla, Denver Museum of Art, San Diego Museum, High Museum Atlanta, The Birmingham Museum of Art, Library of Congress, Washington, Contemporary Arts Society London, Arts Council of Great Britain, Pompidou Centre, Paris, F.R.A.C. Ile de France, and the Schlossmuseum Murnau, Germany. Scherman has been a visiting lecturer at numerous universities, art schools and public galleries in England, Canada and the United States since the mid-1970s. He was a sessional instructor at the University of Guelph Department of Fine Art and University of Toronto Department of Architecture and Landscape Architecture in the 1980s.

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Tony Scherman Semen Cultui
Semen Cultui, 2018
encaustic on canvas
36" x 36"

Tony Scherman Mommy Romulus
Mommy Romulus, 2016-2018
encaustic on canvas
42" x 36"

Tony Scherman My Girlfriend Ophelia
My Girlfriend Ophelia, 2013
encaustic on canvas
72" x 60"

Tony Scherman Grey Nun
Grey Nun, 2011
encaustic on canvas
54" x 60"

Tony Scherman Conversations with the Devil
Conversations with the Devil, 2007
encaustic on canvas
36" x 36"

Tony Scherman Trudeau
Trudeau (from the Black October Series), 2011
encaustic and oil on canvas
84" x 84"

Tony Scherman Untitled
Untitled, 2001
encaustic on canvas
48" x 48"

Tony Scherman Eye of Bin Laden
White Dust (The Eye of Bin Laden), 2011
encaustic on canvas
30" x 40"

Tony Scherman Winston Churchill
Winston Churchill, 2001-2002
encaustic on canvas
78" x 72"

Tony Scherman Still Life
encaustic on canvas
40" x 46"

Tony Scherman Lady Macbeth
Lady Macbeth, 2000
etching, edition of 40
17" x 14"

Tony Scherman Flowers
Flowers, 2000
etching, edition of 40
33" x 26"

Tony Scherman Secret Life of Robespierre
The Secret Life of Robespierre, 1998
etching, edition of 40
22" x 18"